Burgerkill adalah sebuah band metalcore yang berasal dari kota Bandung, Jawa Barat. Nama band ini diambil dari sebuah nama restaurant makanan siap saji asal Amerika, yaitu Burger King, yang kemudian oleh mereka di parodikan menjadi "Burgerkill".
Daftar isi
Sejarah
Burgerkill berdiri pada bulan Mei 1995 berawal dari Eben, scenester dari Jakarta yang pindah ke Bandung untuk melanjutkan sekolahnya. Dari sekolah itulah Eben bertemu dengan Ivan, Kimung, dan Dadan sebagai line-up pertamanya.Mereka berhasil merilis single pertamanya lewat underground phenomenon Richard Christian Franklin Muttler yang merilis kompilasi cd band-band Bandung pada awal 1997. Nama lain seperti Full Of Hate, Puppen, dan Cherry Bombshell juga bercokol di kompilasi yang berjudul Masaindahbangetsekalipisan tersebut.
Pada akhir tahun 1997 mereka kembali ikut serta dalam kompilasi Breathless dengan menyertakan lagu Offered Sucks didalamnya. Awal tahun 1998 perjalanan mereka berlanjut dengan rilisan single Blank Proudness, pada kompilasi band-band Grindcore Ujungberung berjudul Independent Rebel.
Disekitar awal tahun 1999, mereka mendapat tawaran dari perusahaan rekaman independent Malaysia, Anak Liar Records yang berakhir dengan deal merilis album Three Ways Split bersama dengan band Infireal (Malaysia) dan Watch It Fall (Perancis).
Pada tahun 2000, akhirnya Burgerkill berhasil merilis album perdana mereka dengan title Dua Sisi oleh Riotic Records. Pada tahun yang sama, band ini juga merilis single Everlasting Hope Never Ending Pain lewat kompilasi Ticket To Ride.
Mereka menjadi nominator Band Independent Terbaik ala majalah NewsMusik pada tahun 2000. Awal tahun 2001 pun mereka berhasil melakukan kerjasama dengan sebuah perusahaan produk sport apparel asal Amerika: Puma yang selama 1 tahun mensupport setiap kali Burgerkill melakukan pementasan. Dan sejak Oktober 2002 sebuah produk clothing asal Australia: INSIGHT juga mensupport dalam setiap penampilan mereka.
Pertengahan Juni 2003, Burgerkill menjadi band Hardcore pertama di Indonesia yang menandatangani kontrak sebanyak 6 album dengan salah satu major label terbesar di negeri ini, Sony Music Entertainment Indonesia. Dan setelah itu akhir tahun 2003, Burgerkill berhasil merilis album kedua mereka dengan title Berkarat.
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Di awal tahun 2005, Toto memutuskan untuk meninggalkan band tersebut. Mereka kembali merombak formasinya dengan memindahkan Andris dari posisi Bass ke posisi Drums dan terus melanjutkan proses penulisan lagu dengan menggunakan additional bass player.
November 2005, Burgerkill memutuskan kontrak kerjasama dengan Sony Music Entertainment Indonesia dikarenakan tidak adanya kesepakatan dalam pengerjaan proyek album ketiga. mereka sepakat untuk tetap merilis album ke-3 Beyond Coma And Despair di bawah label mereka sendiri Revolt! Records di pertengahan Agustus 2006. Album ini pun menjadi salah satu album terbaik di Rolling Stone Indonesia.[1]
Ivan sang vokalis akhirnya menghembuskan napas terakhirnya di tengah-tengah proses peluncuran album baru mereka di akhir Juli 2006. Setelah melewati proses Audisi Vokal, mereka menemukan Vicki di awal tahun 2007 sebagai Frontman baru untuk tahap berikutnya dalam perjalanan karier mereka.
Dan pada awal Januari 2007 mereka telah sukses menggelar serangkaian tour di kota-kota besar di Pulau Jawa dan Bali dalam rangka mempromosikan album baru mereka. Tahun 2009 menggelar konser "Allegiance to Metal Tour 2009" bersama Psycroptic dan Nemesis.
Band ini pernah satu panggung dengan beberapa band luar deperti The Black Dahlia Murder, As I Lay Dying, dan Himsa. Band ini juga berkerjasama dengan Xenophobic Records untuk mengedarkan album mereka di Australia. Band ini juga akan merilis album baru mereka, Venomous pada bulan Juni 2011.[2]
sumber;https://id.wikipedia.org/wiki/Burgerkill
Peaceville
Autopsy
California’s Autopsy
took things in a new direction in the Bay Area. After years of being
pummeled by the thrash scene, Chris Reifert and crew took the stripped
down and filthy approach to death metal while incorporating doom
elements to give their music a stark contrast. Reifert’s tortured vocals
give Autopsy the haunting feel that has stuck with them throughout
their career. With two early milestones in death metal, ‘Mental Funeral’
and ‘Severed Survival,’ Autopsy continue to pave their own way with
their pioneering and influential style.
Nuclear Blast
Vader
Polish death metal has an unmistakable sound to it, to which most of
the credit can be given to Vader and their savage riffing. Bands like Decapitated and Behemoth
would not exist if it weren’t for these death metal hounds. They’ve
released some of the most relentless music in the genre, anchored by the
late Doc’s artillery fire behind the kit. Piotr’s voice is one of the
most unique growls that takes the albums ‘De Profudnis’ and ‘Litany’ to
the next level.
Nuclear Blast
Carcass
Yes, Carcass
originally started as a goregrind band, not strictly death metal. The
band changed their style with each album, pioneering a new element of
extreme metal, not once, but twice. ‘Symphonies of Sickness’ started
leaning in a death metal direction to serve up a blend between grincore
and death metal with a healthy scoop of gore. ‘Necroticism: Descanting
the Insalubrious’ was an exercise in midtempo death metal and
‘Heartwork’ saw the band break new ground again, spawning the melodic
death metal genre. Bill Steer and Jeff Walker are one of the most
influential writing combinations to hit the genre.
Season of Mist
Gorguts
What started as pure Death worship became one of the most feral acts to ever grace the death metal scene. Mainman Luc Lemay in unparalleled in unconventional guitar playing, most evident by the polarizing album ‘Obscura.’ Gorguts
have never made the same album twice, taking special care to craft
something truly unique each time. The band’s footprints are etched into
the death metal pantheon, setting the bar for the over-the-top
technicality of modern death metal.
Earache
Bolt Thrower
If it ain’t broke, don’t fix it, right? The adage has served Bolt Thrower
well through the years, releasing album after album of punishing groove
and brutality. After cementing their style with ‘Realm of Chaos’ in
1989, the British band has never strayed from the path, just strived to
be better with each release. The theme of war is ever-prevalent and
combined with the music, makes you feel like you’re driving a tank. Just
be careful when you’re driving around town with ‘The IVth Crusade’
maxing out your car speakers.
Nuclear Blast
Immolation
Ross Dolan and Bob Vigna have been churning out their virulent, blasphemous death metal with Immolation
for over 20 years. Watching Vigna play guitar is like being an
apprentice blacksmith watching the master at work, putting his tools to
use in ways you never thought possible. His technique is one that is all
his own, creating sheer chaos as Dolan’s bellowing barks help the band
crack the earth’s surface for the fires to rise on ‘Here in After’ and
‘Close to a World Below.’
Earache
Morbid Angel
Morbid Angel founder Trey Azagthoth is the Tony Iommi
of death metal. His knack for writing earth-heaving riffs is
undeniable, especially after one listen of ‘Maze of Torment’ or ‘The
Lion’s Den.’ Morbid Angel have contributed some of the most definitive
death metal albums since helping the genre to get its foothold in the
late 1980s. The band were also the first death metal band to ink a major
label deal with ‘Covenant,’ which went on to be the highest selling
death metal album as of 2003.
Nuclear Blast
Suffocation
There’s something about New York that created some of the genre’s heaviest bands. Anyone who has seen Suffocation
can offer a testimony to the band’s devastating live assault. The band
simultaneously pioneered brutal and technical death metal with maze-like
song structures, percussive drumming, and Frank Mullen’s
ultra-low gutturals. Suffocation’s mission statement when forming the
death metal outfit was to be the heaviest band in the world, and with
albums like ‘Effigy of the Forgotten’ and ‘Pierced From Within,’ who can
deny their claim?
Metal Blade
Cannibal Corpse
Cannibal Corpse have enjoyed two distinctly different eras of massive success. The first era is defined by Chris Barnes’
vividly graphic lyrics and signature growls. He helped put the band on
the map with lyrics that went on to become a staple of the genre, with
‘Hammer Smashed Face’ being the most infamous. Following his exit from
Cannibal Corpse, George ‘Corpsegrinder’ Fisher took over and kept the
band on top. Known for their precise guitar playing and the
bass-wizardry of Alex Webster, Cannibal Corpse have never disappointed.
Nuclear Blast / Relapse
Death
The band that is credited with starting it all not only helped to
define the beginning of the genre, but were constant innovators of the
style. Death’s influence
has been felt through all of death metal, whether it’s the raw approach
of ‘Leprosy,’ the subtle technicality of ‘Human,’ the riff-oriented
‘Symbolic,’ or the hyper-melodic ‘Sound of Perseverance’ which saw
outside genre influences creep into the music. Chuck Schuldiner kept the
wheels turning, never stagnating, and constantly one move ahead of
everyone else.
Read More: 10 Best Death Metal Bands | http://loudwire.com/best-death-metal-bands/?trackback=tsmclip
Nuclear Blast
Vader
Polish death metal has an unmistakable sound to it, to which most of
the credit can be given to Vader and their savage riffing. Bands like Decapitated and Behemoth
would not exist if it weren’t for these death metal hounds. They’ve
released some of the most relentless music in the genre, anchored by the
late Doc’s artillery fire behind the kit. Piotr’s voice is one of the
most unique growls that takes the albums ‘De Profudnis’ and ‘Litany’ to
the next level.
Nuclear Blast
Carcass
Yes, Carcass
originally started as a goregrind band, not strictly death metal. The
band changed their style with each album, pioneering a new element of
extreme metal, not once, but twice. ‘Symphonies of Sickness’ started
leaning in a death metal direction to serve up a blend between grincore
and death metal with a healthy scoop of gore. ‘Necroticism: Descanting
the Insalubrious’ was an exercise in midtempo death metal and
‘Heartwork’ saw the band break new ground again, spawning the melodic
death metal genre. Bill Steer and Jeff Walker are one of the most
influential writing combinations to hit the genre.
Season of Mist
Gorguts
What started as pure Death worship became one of the most feral acts to ever grace the death metal scene. Mainman Luc Lemay in unparalleled in unconventional guitar playing, most evident by the polarizing album ‘Obscura.’ Gorguts
have never made the same album twice, taking special care to craft
something truly unique each time. The band’s footprints are etched into
the death metal pantheon, setting the bar for the over-the-top
technicality of modern death metal.
Earache
Bolt Thrower
If it ain’t broke, don’t fix it, right? The adage has served Bolt Thrower
well through the years, releasing album after album of punishing groove
and brutality. After cementing their style with ‘Realm of Chaos’ in
1989, the British band has never strayed from the path, just strived to
be better with each release. The theme of war is ever-prevalent and
combined with the music, makes you feel like you’re driving a tank. Just
be careful when you’re driving around town with ‘The IVth Crusade’
maxing out your car speakers.
Nuclear Blast
Immolation
Ross Dolan and Bob Vigna have been churning out their virulent, blasphemous death metal with Immolation
for over 20 years. Watching Vigna play guitar is like being an
apprentice blacksmith watching the master at work, putting his tools to
use in ways you never thought possible. His technique is one that is all
his own, creating sheer chaos as Dolan’s bellowing barks help the band
crack the earth’s surface for the fires to rise on ‘Here in After’ and
‘Close to a World Below.’
Earache
Morbid Angel
Morbid Angel founder Trey Azagthoth is the Tony Iommi
of death metal. His knack for writing earth-heaving riffs is
undeniable, especially after one listen of ‘Maze of Torment’ or ‘The
Lion’s Den.’ Morbid Angel have contributed some of the most definitive
death metal albums since helping the genre to get its foothold in the
late 1980s. The band were also the first death metal band to ink a major
label deal with ‘Covenant,’ which went on to be the highest selling
death metal album as of 2003.
Nuclear Blast
Suffocation
There’s something about New York that created some of the genre’s heaviest bands. Anyone who has seen Suffocation
can offer a testimony to the band’s devastating live assault. The band
simultaneously pioneered brutal and technical death metal with maze-like
song structures, percussive drumming, and Frank Mullen’s
ultra-low gutturals. Suffocation’s mission statement when forming the
death metal outfit was to be the heaviest band in the world, and with
albums like ‘Effigy of the Forgotten’ and ‘Pierced From Within,’ who can
deny their claim?
Metal Blade
Cannibal Corpse
Cannibal Corpse have enjoyed two distinctly different eras of massive success. The first era is defined by Chris Barnes’
vividly graphic lyrics and signature growls. He helped put the band on
the map with lyrics that went on to become a staple of the genre, with
‘Hammer Smashed Face’ being the most infamous. Following his exit from
Cannibal Corpse, George ‘Corpsegrinder’ Fisher took over and kept the
band on top. Known for their precise guitar playing and the
bass-wizardry of Alex Webster, Cannibal Corpse have never disappointed.
Nuclear Blast / Relapse
Death
The band that is credited with starting it all not only helped to
define the beginning of the genre, but were constant innovators of the
style. Death’s influence
has been felt through all of death metal, whether it’s the raw approach
of ‘Leprosy,’ the subtle technicality of ‘Human,’ the riff-oriented
‘Symbolic,’ or the hyper-melodic ‘Sound of Perseverance’ which saw
outside genre influences creep into the music. Chuck Schuldiner kept the
wheels turning, never stagnating, and constantly one move ahead of
everyone else.
Read More: 10 Best Death Metal Bands | http://loudwire.com/best-death-metal-bands/?trackback=tsmclip
Nuclear Blast
Vader
Polish death metal has an unmistakable sound to it, to which most of
the credit can be given to Vader and their savage riffing. Bands like Decapitated and Behemoth
would not exist if it weren’t for these death metal hounds. They’ve
released some of the most relentless music in the genre, anchored by the
late Doc’s artillery fire behind the kit. Piotr’s voice is one of the
most unique growls that takes the albums ‘De Profudnis’ and ‘Litany’ to
the next level.
Nuclear Blast
Carcass
Yes, Carcass
originally started as a goregrind band, not strictly death metal. The
band changed their style with each album, pioneering a new element of
extreme metal, not once, but twice. ‘Symphonies of Sickness’ started
leaning in a death metal direction to serve up a blend between grincore
and death metal with a healthy scoop of gore. ‘Necroticism: Descanting
the Insalubrious’ was an exercise in midtempo death metal and
‘Heartwork’ saw the band break new ground again, spawning the melodic
death metal genre. Bill Steer and Jeff Walker are one of the most
influential writing combinations to hit the genre.
Season of Mist
Gorguts
What started as pure Death worship became one of the most feral acts to ever grace the death metal scene. Mainman Luc Lemay in unparalleled in unconventional guitar playing, most evident by the polarizing album ‘Obscura.’ Gorguts
have never made the same album twice, taking special care to craft
something truly unique each time. The band’s footprints are etched into
the death metal pantheon, setting the bar for the over-the-top
technicality of modern death metal.
Earache
Bolt Thrower
If it ain’t broke, don’t fix it, right? The adage has served Bolt Thrower
well through the years, releasing album after album of punishing groove
and brutality. After cementing their style with ‘Realm of Chaos’ in
1989, the British band has never strayed from the path, just strived to
be better with each release. The theme of war is ever-prevalent and
combined with the music, makes you feel like you’re driving a tank. Just
be careful when you’re driving around town with ‘The IVth Crusade’
maxing out your car speakers.
Nuclear Blast
Immolation
Ross Dolan and Bob Vigna have been churning out their virulent, blasphemous death metal with Immolation
for over 20 years. Watching Vigna play guitar is like being an
apprentice blacksmith watching the master at work, putting his tools to
use in ways you never thought possible. His technique is one that is all
his own, creating sheer chaos as Dolan’s bellowing barks help the band
crack the earth’s surface for the fires to rise on ‘Here in After’ and
‘Close to a World Below.’
Earache
Morbid Angel
Morbid Angel founder Trey Azagthoth is the Tony Iommi
of death metal. His knack for writing earth-heaving riffs is
undeniable, especially after one listen of ‘Maze of Torment’ or ‘The
Lion’s Den.’ Morbid Angel have contributed some of the most definitive
death metal albums since helping the genre to get its foothold in the
late 1980s. The band were also the first death metal band to ink a major
label deal with ‘Covenant,’ which went on to be the highest selling
death metal album as of 2003.
Nuclear Blast
Suffocation
There’s something about New York that created some of the genre’s heaviest bands. Anyone who has seen Suffocation
can offer a testimony to the band’s devastating live assault. The band
simultaneously pioneered brutal and technical death metal with maze-like
song structures, percussive drumming, and Frank Mullen’s
ultra-low gutturals. Suffocation’s mission statement when forming the
death metal outfit was to be the heaviest band in the world, and with
albums like ‘Effigy of the Forgotten’ and ‘Pierced From Within,’ who can
deny their claim?
Metal Blade
Cannibal Corpse
Cannibal Corpse have enjoyed two distinctly different eras of massive success. The first era is defined by Chris Barnes’
vividly graphic lyrics and signature growls. He helped put the band on
the map with lyrics that went on to become a staple of the genre, with
‘Hammer Smashed Face’ being the most infamous. Following his exit from
Cannibal Corpse, George ‘Corpsegrinder’ Fisher took over and kept the
band on top. Known for their precise guitar playing and the
bass-wizardry of Alex Webster, Cannibal Corpse have never disappointed.
Nuclear Blast / Relapse
Death
The band that is credited with starting it all not only helped to
define the beginning of the genre, but were constant innovators of the
style. Death’s influence
has been felt through all of death metal, whether it’s the raw approach
of ‘Leprosy,’ the subtle technicality of ‘Human,’ the riff-oriented
‘Symbolic,’ or the hyper-melodic ‘Sound of Perseverance’ which saw
outside genre influences creep into the music. Chuck Schuldiner kept the
wheels turning, never stagnating, and constantly one move ahead of
everyone else.
Read More: 10 Best Death Metal Bands | http://loudwire.com/best-death-metal-bands/?trackback=tsmclip
Nuclear Blast
Vader
Polish death metal has an unmistakable sound to it, to which most of
the credit can be given to Vader and their savage riffing. Bands like Decapitated and Behemoth
would not exist if it weren’t for these death metal hounds. They’ve
released some of the most relentless music in the genre, anchored by the
late Doc’s artillery fire behind the kit. Piotr’s voice is one of the
most unique growls that takes the albums ‘De Profudnis’ and ‘Litany’ to
the next level.
Nuclear Blast
Carcass
Yes, Carcass
originally started as a goregrind band, not strictly death metal. The
band changed their style with each album, pioneering a new element of
extreme metal, not once, but twice. ‘Symphonies of Sickness’ started
leaning in a death metal direction to serve up a blend between grincore
and death metal with a healthy scoop of gore. ‘Necroticism: Descanting
the Insalubrious’ was an exercise in midtempo death metal and
‘Heartwork’ saw the band break new ground again, spawning the melodic
death metal genre. Bill Steer and Jeff Walker are one of the most
influential writing combinations to hit the genre.
Season of Mist
Gorguts
What started as pure Death worship became one of the most feral acts to ever grace the death metal scene. Mainman Luc Lemay in unparalleled in unconventional guitar playing, most evident by the polarizing album ‘Obscura.’ Gorguts
have never made the same album twice, taking special care to craft
something truly unique each time. The band’s footprints are etched into
the death metal pantheon, setting the bar for the over-the-top
technicality of modern death metal.
Earache
Bolt Thrower
If it ain’t broke, don’t fix it, right? The adage has served Bolt Thrower
well through the years, releasing album after album of punishing groove
and brutality. After cementing their style with ‘Realm of Chaos’ in
1989, the British band has never strayed from the path, just strived to
be better with each release. The theme of war is ever-prevalent and
combined with the music, makes you feel like you’re driving a tank. Just
be careful when you’re driving around town with ‘The IVth Crusade’
maxing out your car speakers.
Nuclear Blast
Immolation
Ross Dolan and Bob Vigna have been churning out their virulent, blasphemous death metal with Immolation
for over 20 years. Watching Vigna play guitar is like being an
apprentice blacksmith watching the master at work, putting his tools to
use in ways you never thought possible. His technique is one that is all
his own, creating sheer chaos as Dolan’s bellowing barks help the band
crack the earth’s surface for the fires to rise on ‘Here in After’ and
‘Close to a World Below.’
Earache
Morbid Angel
Morbid Angel founder Trey Azagthoth is the Tony Iommi
of death metal. His knack for writing earth-heaving riffs is
undeniable, especially after one listen of ‘Maze of Torment’ or ‘The
Lion’s Den.’ Morbid Angel have contributed some of the most definitive
death metal albums since helping the genre to get its foothold in the
late 1980s. The band were also the first death metal band to ink a major
label deal with ‘Covenant,’ which went on to be the highest selling
death metal album as of 2003.
Nuclear Blast
Suffocation
There’s something about New York that created some of the genre’s heaviest bands. Anyone who has seen Suffocation
can offer a testimony to the band’s devastating live assault. The band
simultaneously pioneered brutal and technical death metal with maze-like
song structures, percussive drumming, and Frank Mullen’s
ultra-low gutturals. Suffocation’s mission statement when forming the
death metal outfit was to be the heaviest band in the world, and with
albums like ‘Effigy of the Forgotten’ and ‘Pierced From Within,’ who can
deny their claim?
Metal Blade
Cannibal Corpse
Cannibal Corpse have enjoyed two distinctly different eras of massive success. The first era is defined by Chris Barnes’
vividly graphic lyrics and signature growls. He helped put the band on
the map with lyrics that went on to become a staple of the genre, with
‘Hammer Smashed Face’ being the most infamous. Following his exit from
Cannibal Corpse, George ‘Corpsegrinder’ Fisher took over and kept the
band on top. Known for their precise guitar playing and the
bass-wizardry of Alex Webster, Cannibal Corpse have never disappointed.
Nuclear Blast / Relapse
Death
The band that is credited with starting it all not only helped to
define the beginning of the genre, but were constant innovators of the
style. Death’s influence
has been felt through all of death metal, whether it’s the raw approach
of ‘Leprosy,’ the subtle technicality of ‘Human,’ the riff-oriented
‘Symbolic,’ or the hyper-melodic ‘Sound of Perseverance’ which saw
outside genre influences creep into the music. Chuck Schuldiner kept the
wheels turning, never stagnating, and constantly one move ahead of
everyone else.
Read More: 10 Best Death Metal Bands | http://loudwire.com/best-death-metal-bands/?trackback=tsmclip
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